KID KOALA - LIVE FROM THE SHORT ATTENTION SPAN AUDIO THEATER TOUR!
TURNTABLISM! The "art" of "skratching"! Remember skratching? No? I do. A little bit. When I first started working at Turntable Lab, I would pack records and ship them out every day for 8 hours ("Kids in Japan need their vaguely terrifying cover-having ISP records!" -Me), and then at the end of the day, I would either:
1. Put on "She Works Hard For The Money (Extended 12" Dance Version)" for hilarity's sake, or
2. Skratch over a Paul Nice beat for recreation and relaxation. RECREATION AND RELAXATION! Christ almighty this still boggles my mind, not only because I used to think this would have some kind of therapeutic effect (it didn't), but also because I see people STILL TRYING TO LEARN HOW TO SKRATCH RECORDS TODAY! This is insane. This is actively staying in the past. It's like proudly strutting around with a beeper on and quoting Get Shorty.
I guess what I'm saying is ai yi yi. Yes, it's pleasurable to hear someone skratch on a mixtape or hip hop record, but then that pleasure evaporates after about 7 seconds and immediately becomes unbearable. That's why I've always liked it when people do weirder things with skratching, since it's already inherently a weird thing.
I'm pretty sure I saw Kid Koala on this tour, he was playing with P-Love and DJ Jester, forming not only an unstoppable triumvirate of Filipino-osity, but a trio of weird skratching DJ guys. The whole thing was multimedia and about half an hour, which is probably exactly the human attention span for such an event.
Nerds always defer to higher status nerds, and when I saw this tour I hung out with P-Love and I was really nervous. This is dumb because Paolo is like the nicest most down-to-earth guy ever, but I was like analyzing everything he did and said. This process, by the way, is never-ending if you are a nerd, you just apply it to different things.
PULP - A DIFFERENT CLASS
Oh man this album is so good. Obviously. Also, water is hydrating.
I distinctly remember seeing the vinyl version of "This is Hardcore" on the wall at Kim's on St Mark's and not understanding it.
In the same way that I wasn't ready for the Smiths until I was like 25, I don't think I was ready for Pulp until I was 28. It's basically just too smart. It's so sophisticated and wry and funny and mordant and good. Is A Different Class the apotheosis of Pulp? Is it their White Trash, Two Heebs And A Bean? Their Eldorado? Their Rumours? Their Flood? Their Corrections? Probably.
This album is amazing, and also cheeseburgers are delicious. In conclusion, sex is an enjoyable activity.
BEST SONG: Common People DUH
V/A - MAGNOLIA OST
I bought this 100% because of Jon Brion. "Yo, respect to LA singer-songwriters." His production on the Fiona Apple album and selection on the Boogie Nights OST (best ever) made me a loyalist and I was like "I'll check out what this so-called Aimee Mann has to offer." And ultimately the soundtrack is a pretty accurate reflection of the movie -- nice, pretty, moments of beauty, overall too much. Although this soundtrack did make me like "Goodbye Stranger."
Best song: One
WILLIE NELSON - THE REDHEADED STRANGER
Willie Nelson! Man, it's easy to look at the modern day, weed-puffing golden-throated Willie Nelson and be like "you are an adorable teddy bear, now come over here so I can hide some hydro in the crags of your jowls." BUT like every neutered, smiling, harmless husk of celebrity, there was once some bite in them when they were hungrier! Wouldn't you agree, O'Shea Jackson?
Redheaded Stranger is so good. It's a country concept album that's about 25 minutes long about a gangster outlaw redheaded badass. Like, nice fantasy-fulfillment/transparent fictional lens, Willie Nelson. Would you like to read my script for a movie about a Chinese ectomorph who flies around reading comic books all day long? He has laser vision and his plants never die.SUBLIME - S/T
Yes! 1997 in the building! This is about as bro as I ever got. YES I have a mixtape with "Cryin" on it by Aerosmith, and occasionally I sing "Too Much" by Dave Matthews Band in the shower, BUT Sublime is as close to frat bro as I ever got. Sublime was great! "They blend pop, rock, punk, reggae, ska and rap" (-a magazine) and their songs are really catchy. I mean, duh it's all 100% the product of junkie father Bradley Nowhatever his last name is (the Long Beach Dub Allstars album was not exactly singlehandedly reviving the record industry), but he had a great voice that fit in all the genres he worked in. Do you want to hear him whine out the word "punani" so that it has 7 syllables? This album in particular is great. The first like 7 songs all are perfect in their playing order.
The one thing I have to say is YEESH, remaining members of Sublime. Stop going back to the mine for more gold. THERE AIN'T NO GOLD LEFT TO MINE.
BEST SONG: The first 7 songs, then "Doin Time"








